The Democratic Dish: Transfer Project
Emma Neuberg ‘s design for a project that ran in conjunction with the exhibition ‘The Democratic Dish: Mintons Secessionist Ware” was one of the four chosen by judges Grayson Perry, Donald Smith and Amy Hughes, to be made into a ceramic transfer/decal and exhibited in the Chelsea Café. In this dedicated blog we are pleased to present a detailed insight into her process.
Artist Emma Neuberg (CSM alumni, 1990) and VL on BA Textiles at Chelsea, and textile design tutor at V&A, says:
I was inspired by all the Democratic Dish talks and Alessandra & Simon Wilson’s collection on show. So, when I got home, I studied the exhibition catalogue looking for decorative motifs on the ceramics that captured my imagination. I especially liked the swirling compositions, graphic outlines, subtle washes of colour and painterly compositions reminding me of Henri Matisse and Vincent Van Gogh prints.
Having decided to enter the competition, I went to my studio to start my usual process of drawing in pastels and started two large designs with swirling, vertical and floral motifs. I filled the paper quickly with two very different compositions making them A2 size so that I could easily select an 11 inch circle that would make a fresh and evocative design for a new democratic dish!
I transferred these to my favourite computer software and developed the drawings further. This is the design process I aways use and you can see much larger versions of the same technique on my website where scale is no obstacle: www.emmaneuberg.com
I arrived at two platter designs, Cloud Buds and Blooms Blur, (I always title my work) and submitted them both.
I was thrilled to receive an email with a movie attached of Grayson Perry saying, “this person must be a professional…well done, Emma!” he and all the judges had selected Cloud Buds.
I’m delighted to win and be selected by great curators and ceramicists who can see how my vision can be applied to ceramics. Pattern and applied arts have alway been an integral part of my practice as are twentieth century influences from the Belle Epoque to Action Painting. Being half French has contributed to my international sensibility. During my undergraduate years I studied ceramics at Brighton University and my postgraduate in Textiles at the RCA, so it seems fitting to be selected by Grayson Perry!
Naturally, I was delighted to be selected and doubly happy for my second UAL competition win as, way back in 1990, I won the CSM Foundation 1990 Exhibition Poster Competition. The brief was simply to communicate the Foundation’s art and design disciplines (Visual Communication, Fashion, Fine Art, Sculpture and Theatre) so I came up with a remake of Picasso’s Demoiselles d’Avignon where each figure models a symbol of CSM’s disciplines. So, from left to right, the figures carry an artists’s palette, a sculptor’s mallet, a tailor’s tape, a mask and an 8mm movie camera.
I worked on the ideas in the CSM Charing Cross cafe sitting alongside Alexander McQueen and John Galliano and fellow student Gary Wallis worked with me on the font and text.
I love threading together historical influences with contemporary ideas and my Democratic Dish brings to life my London and European cultural and historical heritage in a group of artefacts that will become new London heritage!
This threading of influences took place again with Daisy McMullan (who was taught by Donald) in our group shows The Geometrics (part of my Slow Textiles Group) where we exhibited and published on the Frederick Etchells Daily Mail Ideal Home Exhibition Rug 1913 (now located in the Chelsea Space Collection).
The finished plates are on display in the Chelsea Cafe until January 14, 2019.